Joel
Swanson, an artist currently lived in Colorado, gave a lecture in the end of
January. The primary theme of his work focuses on technology and language.
During his graduate years, he enjoyed to create experimental electronic
literature pieces, and demonstrated them as digital narrative. However, after
graduating from art school, he became more interested in word itself, the
materiality of words, and how the structures of words affect the words meaning.
Swanson
enjoys using neon light and blinking effect to explore homophone, which means
words with the same sound but differ in the meaning, and words formation. Series
of works here/there (2011), t/here (2014), Homophone (right, write, rite) (2014), un/non (2014), and NO/NOT/NOTHING
(2014) are all the neon installations playing with the connection between structure
and definition of words. He wants to tell the audiences that words are embedded
to each other.
Another
topic Swanson is interested in is indexicality. His piece Untitled
(cursor) (2014) is an animation with a simple rectangle blinking on the
upper-left corner of the white screen. Although the title does not provide any
clue the content, the audiences have the superior connection with it, knowing
the rectangle relates to some kind of technological purpose. He also explores
linguistic questions in symbols. Logic Only Works in Two Dimensions is a
fantastic piece. It is a large floating greater-than symbol. When smoothly rotating, the
symbol frequently changes its own meaning.
Joel Swanson's works
are accessible and give the audience a new way to have a look words and
symbols. As art is usually practiced to refer some ideas, Swanson uses the
language to build a stronger connection between art and conceptual language.
Untitled (cursor)
Logic Only Works in Two Dimensions
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